The director makes it up in the last half an hour. The initial half of the second half is boring (a common problem with journey flicks if they do not have conflict point). The producer should have taken more care in the postproduction (especially DI) which would have enhanced the visual appeal of the film.Īnalysis: The title cards sequence (involving visuals of Maya Bazaar song Aha Na Pellanta’) is very good. If he had lengthy dialogues about railways and Indian traditions in Rakhi and Chandamama respectively, he tells some good things about Vijayawada (only after belittling it). Krishna Vamsi seems to be allocating a few minutes of his film’s runtime to eulogize certain things in his recent films. Nice rendition by Saindhavi helps the mood of the situation. The best song on the screen is ‘Edo’ that comes before the climax. Other departments: Music of the film is alright.
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The lorry driver rape attempt followed by hero saving heroine. The following episodes in the film are unappealingġ. Lead pair getting caught in an imbroglio: An unexpected scene from an unknown angle changes the complexion of the film and provides a lead to the climax. The movie turns around from this moment.Ģ. Genelia’s banter after getting drunk: The way heroine questions the man’s attitude and explains the depth of women’s heart showcases the director’s deep understanding of women. There are two defining moments in the second half –ġ.
The most hilarious scene in the film belongs to MS Narayana where he explains how drunkards are helping the Government. Though the initial half an hour after the interval bores you, the director turns it around with well conceived scenes towards the end of the film. Hence there is no conflict point in the second half as audiences are well aware by then that heroine’s parents are not going to catch her.
The entire second half is about how heroine falls in love with the hero. There is only one screenplay knot that is opened in the interval. Hence it is very difficult to write screenplay. Story - screenplay - direction: Story of the film has nothing to do with Jab We Met film but for a couple of slight references (heroine mouthing abuses on phone and the beginning notes of Edo song). Vamsi (Paiditalli from Happy Days) has a small, but interesting role. MS Narayana is excellent in the tax-payers episode.
Paruchuri Gopala Krishna is extremely good as the villainous elder. Subbaraju dons a refreshing (away from his usual roles) role in this film. But his usage of expletives at end his dialogue is little discomforting to ears. But his performance in the hospital scene in the climax is ultimate. She gave wide variety of expressions in this film. And her performance in the scene in which she banters after getting drunk is very good. Her hysterical performance when she is slapped shows another shade of her. It appears like she dubbed her own voice in certain scenes of the film. She is completely child-like and playfully innocent. Genelia: You would see an entirely different Genelia in this film. The rest of the story is all about the background of Anand and what happens between the couple. She also learns that the groom’s father is money-minded. After coming home she realizes that her marriage is fixed with an NRI and her wedding is due that night. Sasirekha (Genelia) is summoned by her strict father (Ahuti Prasad) to return home. Megaupload Links :: Part 1 Part 2 part 3 Part 4 Rapidshare links :: Part 1 Part 2 part 3 Part 4
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Watch / download shashirekha parinayam Movie Online Story - screenplay - direction: Krishna Vamsi Cast: Tarun, Genelia, Ahuti Prasad, Paruchuri Gopala Krishna, Subbaraju, Raghubabu, MS Narayana, Suthivelu, Sivaji Raja, Abhi, Giri, Surekha Vani, Tulasi, Geeta Singh
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